Badass Crew: Klein's guild, Fuurinkazan, is reborn in the world of Augmented Reality and shows flawless coordination against the Samurai King boss and the ogre that is dropped on them later.
Kazuto, the Virtual Reality nerd, finds it exhausting but others enjoy it immensely. It creates "dungeons" out of real, physical, landscapes and players fight monsters while conscious and active.
Augmented Reality: A headset-like device called the Augma is the central device to Ordinal Scale.
Best shown with SAO survives losing their memories of the game and Eiji's rejection of that part of his life as well as Eiji and Shigemura's relationships with Yuna, and in a short moment dripping with symbolism Asuna's relationship with her late best friend Yuuki.
An Aesop: A two-prong one about the importance of memory, both because those memories, good and bad are what made you who you are, and because those we love who we lost live on in the memories we have of them.
This is also the first entry in the franchise to utilize Kentaro Waki as composite director, resulting in a completely different compositing style compared to the previous entries.
Art Shift: The film uses noticeable more realistic and detailed art for its character models and action scenes, which many have praised.
Though that story is also used in the Ordinal Scale related Extra Stories in Memory Defrag.
#Sao extra movies series#
All There in the Manual: In Ordinal Scale, the titular augmented reality game actually has a pretty extensive in-universe plot, but it's available in a Japan-only pamphlet, without mention in the series or the movie.
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